Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Jardín de mi padre - Luis Carlos Tovar
Bacon le Cannibale - Perrine Le Querrec
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Konrad Becker - Dictionnaire de réalité stratégique
Mariken Wessels — Miss Cox
Tomber dans l'escalier - Jasper Sebastian Stürup
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Marcel Proust en cinq minutes — Jackson B. Smith
Temps d'arrêt - Etienne Buyse
Copy This Book - Eric Schrijver
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Teddy et le Grand Terrible - Orian Mariat.
Retour d'y voir - n° 3 & 4 - Mamco
A book (untitled) - Maya Strobbe
Deep state - Mathieu Desjardins
L'arum tacheté de J-M. Bertoyas
Lucky Me - Eva Rotreklová & Jules Janssen
Slanted 24 - Istanbul
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Piano - Joseph Charroy
Imagos - Noémie Lothe
Holy etc. - Fabienne Radi
Atopoz - Collectif
Salt Crystal - Fabio Parizzi
Entretiens – Jérôme Dupeyrat
MENU メニュー - Wataru Tominaga
Pectus Excavatum - Quentin Yvelin 























