Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Konrad Becker - Dictionnaire de réalité stratégique
ADBC du Dessin - Jacques Floret
Atopoz - Collectif
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Les glaciers - Lorraine Druon
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Optical Sound 3
Cuadernos - Henry Deletra
Les voiles de Sainte-Marthe - Christian Rosset
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Zoom Age - Julien Auregan
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
Délié - Baptiste Oberson
Piano - Joseph Charroy
Triptyque - Ronan Bouroullec
Aristide n°4
Capolavori - Livio Vacchini
Illusive prosody - Alex Beaurain 























