Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Inframince et hyperlié - Philippe Lipcare
Gros Gris n°4 - Duel
Les Mains sales - Collectif
Aurore Colbert - Marie Mons
Eros Negro # 1 - Demoniak
Un peu comme voir dans la nuit - Leif Elggren + CD
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Seoul Flowers & Trees - tribute to Lee Friedlander
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Marcel Proust en cinq minutes — Jackson B. Smith
Forsythia, Lilac and Geranium - Raffaella della Olga, Camila Oliveira Fairclough, Elsa Werth
Aristide n°4
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Critique d'art n°56
Imagos - Noémie Lothe
Photographic Fields - Joël Van Audenhaege 























