Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Le corps travesti - Michel Journiac
Assembly - Sam Porritt
Entretiens – Jérôme Dupeyrat
La mémoire en acte - Quarente ans de création musicale
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Le singe et le bijoux - Roxane Lumeret
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Tomber dans l'escalier - Jasper Sebastian Stürup
Poster Tribune # 11
Graphure et Peintrisme n°2 - B. Bonnemaison-Fitte, G. Pithon et M. Kanstad Johnsen
Dark optics - David Claerbout
Editer l’art – Leszek Brogowski
Deep state - Mathieu Desjardins
Retour d'y voir - n° 3 & 4 - Mamco
Strates & Archipels - Pierre Merle
Ellipse - Ismail Alaoui-Fdili
Artzines # 10 - Show & Tell #2 NY Special
Bambi # 4 - Collectif
Mökki n°2
Dernier royaume - Quentin Derouet 























