Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Eros Negro # 1 - Demoniak
interférence - 3 - maycec
ARTZINES #1, Paris issue
Sillo n°3 - Le Fauve
Entretiens – Jérôme Dupeyrat
MENU メニュー - Wataru Tominaga
akaBB - tribute to Roni horn
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Critique d'art n°54
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
(page 1 et 17) - Lorraine Druon
À partir de n°1 - Coll.
La traversée - Magali Brueder
In The Navy - Julien Kedryna
Denver Mosaic 1961 - René Heyvaert
Mökki n°4
Critique d'art n°55
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon 























