Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Gruppen n°14 - Collectif
Slanted 30 - Athens
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Distant Egghug - Peter McDonald
9 octobre 1977 - Roberto Varlez
Dear Paul - Paul Van der Eerden
IRL - In real life n°1 - Coll.
L'inventaire des destructions - Éric Watier
Flynn zine # 1 - Flynn Maria Bergmann
Pénurie - Zivo, Jérôme Meizoz
À partir de n°1 - Coll.
Jean-Jacques a dit - Angèle Douche
Aube - Caroline Bachmann
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Optical Sound 2
It was a good day - Jeremy Le Corvaisier
Le dos des choses - Guillaume Goutal
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Lavalse des tambours - Paul Rey
Ilya Ehrenbourg - Et pourtant elle tourne
Artzines #12 Provo Special
Mökki n°4
Critique d'art n°54
Keywording (Post) Contemporary Art - Greta Rusttt
Le corps travesti - Michel Journiac
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
America - Ayline Olukman, Hélène Gaudy 























