Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Le voyeur - entretiens - Éric Rondepierre - Julien Milly
interférence - 2 - maycec
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Artzines # 10 - Show & Tell #2 NY Special
La grande surface de réparation - Gilles Pourtier
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Saveurs imprévues et secrètes - Gilbert Lascault
Good Company - Paul Van der Eerden
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Critique d'art n°55
Dédale - Laurent Chardon
Bisou Magique - Coll.
Capolavori - Livio Vacchini
twen [1959–1971]
Eldorado maximum - Les commissaires anonymes
Catalogue Art Guys - That's painting productions, Bernard Brunon
It was a good day - Jeremy Le Corvaisier
MENU メニュー - Wataru Tominaga
Sillo n°3 - Le Fauve
Critique & création - L.L. de Mars
Temps d'arrêt - Etienne Buyse
Promenade au pays de l'écriture - Armando Petrucci
Pectus Excavatum - Quentin Yvelin
Dark optics - David Claerbout
Ar(t)chitectures situées - Étienne Delprat
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
La construction - Perrine Le Querrec
Critique d'art n°54
Before Science - Gilles Pourtier, Anne-Claire Broc'h 























