Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Optical Sound 3
Le dos des choses - Guillaume Goutal
It was a good day - Jeremy Le Corvaisier
The Letter A looks like The Eiffel Tower - Paul Andali
Le chateau enchanté - Atelier Mclane
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Titanic Orchestra - Julien Mauve
Le blanc nez - Fouss Daniel
Photographic Fields - Joël Van Audenhaege
ICCMHW - Atelier Choque Le Goff
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage 























