Koji Kitagawa has been a member of the SPEW collective with Daisuke Yokota et Naohiro Utagawa, an experience he describes as « being in a car launched at full speed ». Since 15 years, Koji Kitagawa, on his own, has been producing series that he distributes in the form of simple, plain editions. This book is an anthology compiling his obsessive series one after the other.

Koji’s words: « In creating, I get a lot from the process itself. If the image is complete before I’ve fully worked on it, it doesn’t hold much meaning for me. I’m always advancing several projects little by little, I want to remove my intent from the work as much as possible; ambiguity is an essential component. I think photography is imagination. »
Nicolas Giraud said : « These plentiful, dense sequences bear witness to an perpetually renewed process, tirelessly recapturing what is in front of his eyes, trying to make his way through what is visible. Kitagawa does not grant us access to the world, he confronts us with its opacity, in hopes of seeing in every way possible, at the risk of dissolving the image… Bringing together this work in a single volume makes it possible to traverse this obsessive exploration of the visible, to grasp the movement driving Koji Kitagawa. The book reveals the scope of his ambition, the way in which he grows attached to poor objects yet brings them to incandescence. A face, a newspaper page, a plant, constitute object-worlds that the photographer explores to the fullest. »
ISBN 9782493509000

De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Tanière de lune - Maria-Mercé Marçal
Délié - Baptiste Oberson
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Critique & création - L.L. de Mars
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Blaclywall by Sihab Baik - Claude Closky
In The Navy - Julien Kedryna
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Saveurs imprévues et secrètes - Gilbert Lascault
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
š! #39 'The End' - coll.
twen [1959–1971]
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Citrus maxima xparadisi - coll.
interférence - 3 - maycec
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Musée des Beaux-Arts - Pierre Martel
Le blanc nez - Fouss Daniel
La grande surface de réparation - Gilles Pourtier
Hybrid heads - Daniela Dossi
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
Carnivore - Grow
Les voiles de Sainte-Marthe - Christian Rosset
Dédale - Laurent Chardon
Lucky Me - Eva Rotreklová & Jules Janssen
Un essai sur la typographie - Eric Gill
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Sillo n°3 - Le Fauve
Before Science - Gilles Pourtier, Anne-Claire Broc'h
SKKS - Gilles Pourtier
Papier magazine n°06 - Coupe du monde
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Editer l’art – Leszek Brogowski 





























