People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

America - Ayline Olukman, Hélène Gaudy
De tels baisers - Jul Gordon
Le corps travesti - Michel Journiac
Strates & Archipels - Pierre Merle
Le singe et le bijoux - Roxane Lumeret
Le chateau enchanté - Atelier Mclane
Rasclose - Geoffroy Mathieu
SKKS - Gilles Pourtier
Seoul Flowers & Trees - tribute to Lee Friedlander
Eros negro n°3 - Démoniak
Brush Master - Jasper "Mississippi" Travis
Karbone Magazine n°8 - Parasite
Les voiles de Sainte-Marthe - Christian Rosset
Critique & création - L.L. de Mars
Titanic Orchestra - Julien Mauve
Fluent - Laëticia Donval
Temps d'arrêt - Etienne Buyse
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Papier magazine n°06 - Coupe du monde
Photographic Fields - Joël Van Audenhaege
Shanghai Cosmetic - Leslie Moquin
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Illusive prosody - Alex Beaurain
Critique d'art n°55
Holy etc. - Fabienne Radi
Gros Gris n°4 - Duel
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Prose postérieure - Les commissaires anonymes
Délié - Baptiste Oberson
Zoom Age - Julien Auregan
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
La prise - Florian Javet
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Mosaïque d'asphalte - Jack Torrance
Dernier royaume - Quentin Derouet
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Optical Sound 2
De lave et de fer - Laurent Feynerou
Theatre - Dan Graham
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Gruppen n°13 - Collectif
Le vieux père - Laurent Kropf
Piotr - Pierre Escot, Denis Lavant
fil·le·s de polypropylène bleu - coll.
Étrangement seuls - Jean-Pascal Princiaux 











































