People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Eros Negro # 1 - Demoniak
Dernier royaume - Quentin Derouet
Le chateau enchanté - Atelier Mclane
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Un cahier - Michel Quarez
Autodrône - Divine Vizion
L'internationale modique (AND 3) - J-M. Bertoyas
Étrangement seuls - Jean-Pascal Princiaux
Theatre - Dan Graham
Critique d'art n°55
Lavalse des tambours - Paul Rey
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Modern Instances, The Craft of Photography - Stephen Shore
Apiary - Robin Friend
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
Artzines # 10 - Show & Tell #2 NY Special
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Who Are You Dorothy Dean? - Edited by / Edité par Anaïs Ngbanzo.
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
La grande surface de réparation - Gilles Pourtier
Diario de Plantas (2 volumes) - Gabriel Orozco
Grilles - Zelda Mauger
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Mapping Bookbinding Poster- Simon Ruault
Mökki n°4
Dans la Lune - Fanette Mellier
Vers Vermersch - Thomas Dunoyer de Segonzac
Der Erste Rotkehlchen - Le livre
La traversée - Magali Brueder
Darkest Night - Joel Van Audenhaege 











































