People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

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Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Vacuité 9090 - Jérémy Piningre
Il est si difficile de trouver le commencement - Helen Thorington
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Pectus Excavatum - Quentin Yvelin
9 octobre 1977 - Roberto Varlez
Critique & création - L.L. de Mars
Sights - Henry McCausland
Burning Images, A History of Effigy Protests - Florian Göttke
It was a good day - Jeremy Le Corvaisier
Dear Paul - Paul Van der Eerden
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Le blanc nez - Fouss Daniel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
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WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Do insects play ? - Johanna Tagada Hoffbeck
Good Company - Paul Van der Eerden
interférence - 2 - maycec
Bacon le Cannibale - Perrine Le Querrec
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Piano - Joseph Charroy
Umami - Ariane Vonmoos
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Hmm ! - C. de Trogoff
Machiavel chez les babouins - Tim Ingold
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