People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Photographic Fields - Joël Van Audenhaege
IBM – Graphic Design Guide from 1969 to 1987
Le dos des choses - Guillaume Goutal
Le lacéré anonyme - Jacques Villeglé
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Good Company - Paul Van der Eerden
Seoul Flowers & Trees - tribute to Lee Friedlander
Dear Paul - Paul Van der Eerden
Comic Book (Untitled) - Stéphanie Leinhos
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Femme, Arabe et... Cinéaste - Heiny Srour
Gros Gris n°4 - Duel
(page 1 et 17) - Lorraine Druon
Denver Mosaic 1961 - René Heyvaert
Brush Master - Jasper "Mississippi" Travis
Dédale - Laurent Chardon
16 x 421 - Lorraine Druon
Entretiens – Jérôme Dupeyrat
Un peu comme voir dans la nuit - Leif Elggren + CD
Il était deux fois - Gary Colin
Mosaïque d'asphalte - Jack Torrance
Aristide n°4
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Imagos - Noémie Lothe
Salt Crystal - Fabio Parizzi
Le corps travesti - Michel Journiac
Critique d'art n°56
Roven n°5
Aurore Colbert - Marie Mons
Dernier royaume - Quentin Derouet
Artzines # 10 - Show & Tell #2 NY Special
Jean-Jacques a dit - Angèle Douche
America - Ayline Olukman, Hélène Gaudy
La typographie des Penguin Classics - Andrew Barker
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
La France de tête #04
Débris N°2 - Théo Garnier Greuez
Titanic Orchestra - Julien Mauve
La mémoire en acte - Quarente ans de création musicale
Rasclose - Geoffroy Mathieu
Roven n°4
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Eldorado maximum - Les commissaires anonymes
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
ICCMHW - Atelier Choque Le Goff
Musée des Beaux-Arts - Pierre Martel
Harry Thaler's Pressed Chair
Je ne peux pas ne pas - Geneviève Romang
Piano - Joseph Charroy
Hmm ! - C. de Trogoff
Dans la Lune - Fanette Mellier
Shanghai Cosmetic - Leslie Moquin
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Der Erste Rotkehlchen - Le livre
Fluent - Laëticia Donval 











































