People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Composite n° 04
Turlupin N°1 \ Soumission — Michael Dans
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Lumières - Guillaume Chauchat
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Artzines # 10 - Show & Tell #2 NY Special
Polyphème (d'après Euripide) - J. & E. LeGlatin
America - Ayline Olukman, Hélène Gaudy
love forever - Victoria Hespel
Watch out - Anne-Émilie-Philippe
L'inventaire des destructions - Éric Watier
Imagos - Noémie Lothe
Typologie – La tente de camping
Sébastien - Antoine Orand
Menus Plaisirs - Lisa Mouchet
Eros negro #2 - Demoniak
L’île de Reil - Karine Portal
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Tools of Encouragement - Erlend Peder Kvam
La traversée - Magali Brueder
Theatre - Dan Graham
Aristide n°4
À partir de n°1 - Coll.
Pluie - Coll. - Lagon revue
La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
Un essai sur la typographie - Eric Gill
People in a faraday cage - Stéphanie Gygax
Le Dépli - Loïc Largier
Le Choix du peuple - Nicolas Savary, Tilo Steireif 











































