People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Sights - Henry McCausland
Konrad Becker - Dictionnaire de réalité stratégique
Gros Gris n°4 - Duel
Le corps travesti - Michel Journiac
Poèmes - Yvonne Rainer
Le chateau enchanté - Atelier Mclane
Lili, la rozell et le marimba / revue n°2
Bruits - Emmanuel Madec
Sans titre - Chris Kiss
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
UP8 — Pour une pédagogie de l'architecture
Je ne peux pas ne pas - Geneviève Romang
America - Ayline Olukman, Hélène Gaudy
À partir de n°3 - Collectif
Teddy et le Grand Terrible - Orian Mariat.
Pilote - Mathilde Sauzay
In The Navy - Julien Kedryna
Marcel Proust en cinq minutes — Jackson B. Smith
How to Become the Daughters of Darkness - Coll.
Talweg 6 - La distance
Le dos des choses - Guillaume Goutal
Le blanc nez - Fouss Daniel
Tchat - Gary Colin
Critique & création - L.L. de Mars
Papier magazine n°06 - Coupe du monde
Oxymores - Philippe Weisbecker
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Bambi # 4 - Collectif
Ventoline 5 - Coll.
ARTZINES #7 - Berlin issue
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Burning Images, A History of Effigy Protests - Florian Göttke
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le Parfum du Silence - Bonnie Colin
AARC – Alter Architecture Research Collective n° 01
Le Choix du peuple - Nicolas Savary, Tilo Steireif
akaBB - tribute to Roni horn
Optical Sound 2
Poster Tribune # 11
ADBC du Dessin - Jacques Floret
Blaclywall by Sihab Baik - Claude Closky
Titanic Orchestra - Julien Mauve
Rasclose - Geoffroy Mathieu
Radio-Art - Tetsuo Kogawa
La France de tête - Lot de 4 numéros
Der Erste Rotkehlchen - Le livre
ARTZINES #1, Paris issue
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Editer l’art – Leszek Brogowski
Dessins pour Rugir - Virginie Rochetti
Dialogue de dessins 7 - Jochen Gerner, Guillaume Chauchat
Ellipse - Ismail Alaoui-Fdili
Illusive prosody - Alex Beaurain
Hmm ! - C. de Trogoff
Après la révolution – numéro 1
Aurore Colbert - Marie Mons 











































