People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Tchat - Gary Colin
Illusive prosody - Alex Beaurain
Strates & Archipels - Pierre Merle
Planning - Pierre Escot
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
De lave et de fer - Laurent Feynerou
Escape - Makiko Minowa
Jean-Jacques a dit - Angèle Douche
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
No Go Zone n°1 Canal Saint-Denis
Philonimo - Le Lézard de Heidegger - Alice Brière-Haquet, Sophie Vissière
Seen - Thibaut Kinder
Entretiens – Jérôme Dupeyrat
Le 6b Saint-Denis, dans un tiers-lieu culturel
Zoom Age - Julien Auregan
Flower finds - Orianne Jeanselme
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Lili, la rozell et le marimba / revue n°2
š! #39 'The End' - coll.
Titanic Orchestra - Julien Mauve
Hérésie Étiologique - coll.
People in a faraday cage - Stéphanie Gygax
Critique d'art n°55
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
La France de tête #04
Photographic Fields - Joël Van Audenhaege
La construction - Perrine Le Querrec
Matriochka - Fanette Mellier (3ème ed.)
Aristide n°4
Débris N°2 - Théo Garnier Greuez
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Papier magazine n°06 - Coupe du monde
Prototype 02 - morcellement
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Imagos - Noémie Lothe
Birds - Damien Poulain
Citrus maxima xparadisi - coll.
Dernier royaume - Quentin Derouet
Aurore Colbert - Marie Mons
Schindler Manifesto
Le Parfum du Silence - Bonnie Colin
Temps d'arrêt - Etienne Buyse 











































