People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Débris N°2 - Théo Garnier Greuez
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
Deep state - Mathieu Desjardins
Roven n°5
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Rasclose - Geoffroy Mathieu
L'arum tacheté de J-M. Bertoyas
Harry Thaler's Pressed Chair
Holy Mountain - Maia Matches, Knuckles & Notch
Good Company - Paul Van der Eerden
Una Silla Plegada ( A Folded Chair) - José Quintanar
Gruppen n°14 - Collectif
Sans titre - Chris Kiss
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Le Dépli - Loïc Largier
Jean-Jacques a dit - Angèle Douche
Sights - Henry McCausland
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Fluent - Laëticia Donval
Flynn zine # 1 - Flynn Maria Bergmann
Gruppen n°13 - Collectif
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
The Shelf - Journal 3
Zoom Age - Julien Auregan
It was a good day - Jeremy Le Corvaisier
Tu peux répéter ? – Écrire, parler, expérimenter les langues - Marianne Mispelaëre
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Un essai sur la typographie - Eric Gill
Dear Paul - Paul Van der Eerden
Cuadernos - Henry Deletra
The Book Fight - Chihoi
9 octobre 1977 - Roberto Varlez
Dans la Lune - Fanette Mellier
Pectus Excavatum - Quentin Yvelin
Temps d'arrêt - Etienne Buyse 











































