People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Saveurs imprévues et secrètes - Gilbert Lascault
Bande Annonce - Cinéma & Bande Dessinée - Coll.
It was a good day - Jeremy Le Corvaisier
Un cheval, des silex - Benoît Maire, Sally Bonn
Optical Sound 3
Gros Gris n°4 - Duel
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Retour d'y voir - n° 1 & 2 - Mamco
Good Company - Paul Van der Eerden
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
fig. #6 - antithèse
Tchat - Gary Colin
Papier magazine n°06 - Coupe du monde
De lave et de fer - Laurent Feynerou
Le dos des choses - Guillaume Goutal
Holy etc. - Fabienne Radi
Recto Versu - Bill Noir
Ilya Ehrenbourg - Et pourtant elle tourne
Citrus maxima xparadisi - coll.
Génération dakou - Yann Jun + CD
Temps d'arrêt - Etienne Buyse
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
La mémoire en acte - Quarente ans de création musicale
Gruppen n°14 - Collectif
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Talweg 6 - La distance
Dear Paul - Paul Van der Eerden
Illusive prosody - Alex Beaurain
Eldorado maximum - Les commissaires anonymes
Gruppen n°13 - Collectif
Sillo n°3 - Le Fauve
Artzines #12 Provo Special
Strates & Archipels - Pierre Merle
Deep state - Mathieu Desjardins
Spécimen Typographique : No Ko - Loris Pernoux
Escape - Makiko Minowa
Seoul Flowers & Trees - tribute to Lee Friedlander
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Critique d'art n°56
Pénurie - Zivo, Jérôme Meizoz
Sans titre - Chris Kiss 











































