People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Modern Instances, The Craft of Photography - Stephen Shore
L'internationale modique (AND 3) - J-M. Bertoyas
La prise - Florian Javet
Il était deux fois - Gary Colin
A Home with no Roof - Sara De Brito Faustino
Der Erste Rotkehlchen - Le livre
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Jean-Jacques a dit - Angèle Douche
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Turbo Decompress - Coll.
La typographie des Penguin Classics - Andrew Barker
Good Company - Paul Van der Eerden
本の本の本 - antoine lefebvre editions,
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Editer l’art – Leszek Brogowski
Gros Gris n°4 - Duel
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Piano - Joseph Charroy
How Many - Nathalie Du Pasquier
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Buiding a wall - A book by Roméo Julien
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Pectus Excavatum - Quentin Yvelin
La grande surface de réparation - Gilles Pourtier
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Crise de foie - Christine Demias
Watch out - Anne-Émilie-Philippe
Brush Master - Jasper "Mississippi" Travis
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Holy Mountain - Maia Matches, Knuckles & Notch
9 octobre 1977 - Roberto Varlez
(page 1 et 17) - Lorraine Druon
IBM – Graphic Design Guide from 1969 to 1987
Le lacéré anonyme - Jacques Villeglé
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Fluent - Laëticia Donval 











































