People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Parallélisme - Nicolas Nadé
Green (or moles on a golf course) - Aslak Gurholt
Une goutte d'homme - Alice Dourlen
Tools #04 – Couper / To Cut
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
Sébastien - Antoine Orand
Intérieurs - Claude-Hubert Tatot
Prélude - Julien Gobled
Titanic Orchestra - Julien Mauve
Norovirus - Orgie en mers chaudes - Claude Grétillat
SKKS - Gilles Pourtier
Seoul Flowers & Trees - tribute to Lee Friedlander
Blaclywall by Sihab Baik - Claude Closky
Le chateau enchanté - Atelier Mclane
Wayfaring - Patrick Messina, André S. Labarthe
Retour d'y voir - n° 3 & 4 - Mamco
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Une histoire russe - Claude Grétillat
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Bisou Magique - Coll.
AMONG THE TREES - LIVIA DE MAGISTRIS
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Lili, la rozell et le marimba / revue n°2
Untitled (Comic Book) - Frédérique Rusch
It was a good day - Jeremy Le Corvaisier
Gros Gris n°4 - Duel
Entretiens – Jérôme Dupeyrat
Birds - Damien Poulain
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Poster Photo Magazine n°1
Crise de foie - Christine Demias
Polygone n°01 - Amour - Collectif
Dialogue de dessins 8 - Marcus Oakley, Roxane Lumeret, Zad Kokar
Critique d'art n°54
Paravents - Eva Taulois
Plant-Based Monster Trucks - Lina Müller, Luca Schenardi
Danses d'intérieur - Lotus Eddé Khouri
À partir de n°1 - Coll.
Rasclose - Geoffroy Mathieu 











































