People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Marcel Proust en cinq minutes — Jackson B. Smith
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Teddy et le Grand Terrible - Orian Mariat.
16 x 421 - Lorraine Druon
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Une goutte d'homme - Alice Dourlen
Aristide n°4
Piano - Joseph Charroy
La traversée - Magali Brueder
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Berlin Design Digest
Le chateau enchanté - Atelier Mclane
Le Gabion - Théo Robine-Langlois
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Photographic Fields - Joël Van Audenhaege
本の本の本 - antoine lefebvre editions,
Ilya Ehrenbourg - Et pourtant elle tourne
SKKS - Gilles Pourtier
Flynn zine # 1 - Flynn Maria Bergmann
Mökki n°2
MENU メニュー - Wataru Tominaga
Holy etc. - Fabienne Radi
Gros Gris n°4 - Duel
Artzines # 10 - Show & Tell #2 NY Special
Collective Design : Alison & Peter Smithson
Les glaciers - Lorraine Druon
La France de tête - Lot de 4 numéros
Imagos - Noémie Lothe
16 x 421 - Lorraine Druon
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
L'inventaire des destructions - Éric Watier
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
The Shelf - Journal 3
Ellipse - Ismail Alaoui-Fdili
Editer l’art – Leszek Brogowski
Rasclose - Geoffroy Mathieu
Fluent - Laëticia Donval
Pectus Excavatum - Quentin Yvelin
Paysageur n°3 - Mobiles
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Dear Paul - Paul Van der Eerden
Publication Revue N°1
Darkest Night - Joel Van Audenhaege
Good Company - Paul Van der Eerden
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Shanghai Cosmetic - Leslie Moquin
Le corps travesti - Michel Journiac
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Le dos des choses - Guillaume Goutal
Turbo Decompress - Coll.
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Après la révolution – numéro 1
Roven n°4
America - Ayline Olukman, Hélène Gaudy
Eros negro n°4 - Démoniak
Le blanc nez - Fouss Daniel
Seoul Flowers & Trees - tribute to Lee Friedlander
Titanic Orchestra - Julien Mauve 











































