People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
ARTZINES #1, Paris issue
Email Diamant - Fabienne Radi
Mosaïque d'asphalte - Jack Torrance
L'arum tacheté de J-M. Bertoyas
Eros Negro # 1 - Demoniak
MENU メニュー - Wataru Tominaga
Entretiens – Jérôme Dupeyrat
Inframince et hyperlié - Philippe Lipcare
Poèmes - Yvonne Rainer
Shanghai Cosmetic - Leslie Moquin
Matriochka - Fanette Mellier (3ème ed.)
fig. #6 - antithèse
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
fil·le·s de polypropylène bleu - coll.
Le vieux père - Laurent Kropf
Promenade au pays de l'écriture - Armando Petrucci
Ellipse - Ismail Alaoui-Fdili
Cf. - Pierre Olivier Arnaud
Critique d'art n°56
Le Monde en situation - Vanessa Theodoropoulou
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Ventoline 5 - Coll.
Le lacéré anonyme - Jacques Villeglé
Jířa - Lucie Lučanská
Hérésie Étiologique - coll.
Saveurs imprévues et secrètes - Gilbert Lascault
Migrant Mother, Migrant Gender - Sally Stein
L'internationale modique (AND 3) - J-M. Bertoyas
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Modern Instances, The Craft of Photography - Stephen Shore
Strates & Archipels - Pierre Merle
Alma Mater n°1
Sillo n°3 - Le Fauve
Good Company - Paul Van der Eerden
Tomber dans l'escalier - Jasper Sebastian Stürup
Vacuité 9090 - Jérémy Piningre
SKKS - Gilles Pourtier 











































