People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Eros negro n°4 - Démoniak
Critique d'art n°56
Le Dépli - Loïc Largier
Sans titre - Chris Kiss
Carnivore - Grow
Manuel d'écologie urbaine - Audrey Muratet, François Chiron
Flynn zine # 1 - Flynn Maria Bergmann
La France de tête #04
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Dernier royaume - Quentin Derouet
Une goutte d'homme - Alice Dourlen
Eros negro #2 - Demoniak
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
the Ghost of Weaving - Coll.
(page 1 et 17) - Lorraine Druon
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
SKKS - Gilles Pourtier
Tableaux fluo - 2013-2016 - Nina Childress
Lavalse des tambours - Paul Rey
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Rois de la forêt - Alain Garlan
Tomber dans l'escalier - Jasper Sebastian Stürup
Les Grands Ensembles - Léo Guy-Denarcy
Critique d'art n°55
Holy Mountain - Maia Matches, Knuckles & Notch
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Hérésie Étiologique - coll.
Avec ce qu'il resterait à dire - Anne Maurel
Hobo Nickel - Damien Sauvage
In The Navy - Julien Kedryna
Assembly - Sam Porritt
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Dédale - Laurent Chardon
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Temps d'arrêt - Etienne Buyse
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Entretiens – Jérôme Dupeyrat
Dear Paul - Paul Van der Eerden
Oasis - Stéphane Ruchaud, Christophe Honoré
Le chateau enchanté - Atelier Mclane
Mökki n°4
Roven n°4
La France de tête - Lot de 4 numéros
Dans la Lune - Fanette Mellier
Titanic Orchestra - Julien Mauve
interférence - 3 - maycec
Aurore Colbert - Marie Mons
L'internationale modique (AND 3) - J-M. Bertoyas
Rasclose - Geoffroy Mathieu
Les voiles de Sainte-Marthe - Christian Rosset
Michael Riedel - Milan Ther
Illusive prosody - Alex Beaurain
Papier magazine n°06 - Coupe du monde
Roven n°5
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi 











































