‘Oscurana’ presents a body of work that results from the various trips that Antoine d’Agata has made during more than thirty years in American countries: Brazil, Peru, Nicaragua, Salvador, Ecuador, Bolivia, Guatemala, Haiti, Puerto Rico, United States, Cuba, and Mexico.

The images are notable for its immediate, almost brutal vision of the societies taken by the brutal spiral of violence. Through the degeneration and paroxysm of the flesh, the photographer tries to reveal fragments of a society that escape the usual analysis and visualization of the collective body. He exposes himself, sharpens his awareness of a world that absorbs and feeds, without any precaution or judgment.
Edited from a common selection of Antoine d’Agata’s images from Latin America, 7 different books share the same dimensions, title and artistic statement – a text called ‘Oscurana’. The project is done by different invited publishers, that were given the freedom to select the images, the design, the materials, printing and binding techniques.
‘Oscurana’ is a collaborative project developed amongst 6 publishers from different countries. Offering a reflection on the work of the Antoine d’Agata by several countries and publishers, in a dialogue that opens new perspectives in the ways of making photobooks.
For ‘Oscurana’ project, Void proposes a book to be autopsied. The reader will dig in the darkness within Antoine’s oeuvre, being themselves, the legists of d’Agata’s universe. An investigation from the intimacy, through the narcotic experiences until the darkness of the violence’s banality in America.
120 Pages
400 copies
Softcover

Jardín de mi padre - Luis Carlos Tovar
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Le dos des choses - Guillaume Goutal
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Mökki n°2
Image Canoë - Jérémie Gindre
In The Navy - Julien Kedryna
Titanic Orchestra - Julien Mauve
America - Ayline Olukman, Hélène Gaudy
People in a faraday cage - Stéphanie Gygax
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Denver Mosaic 1961 - René Heyvaert
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Blaclywall by Sihab Baik - Claude Closky
Pectus Excavatum - Quentin Yvelin
Good Company - Paul Van der Eerden
Deep state - Mathieu Desjardins
Changer l'art par ses marges ? - Charlotte Laubard
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Design sous artifice : la création au risque du machine learning - Anthony Masure
Hérésie Étiologique - coll.
Femme, Arabe et... Cinéaste - Heiny Srour
Super Kiblind 3
Papier magazine n°06 - Coupe du monde
Lavalse des tambours - Paul Rey
Watch out - Anne-Émilie-Philippe
Aristide n°4
Gros Gris n°4 - Duel
Burning Images, A History of Effigy Protests - Florian Göttke
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Dear Paul - Paul Van der Eerden
Fluent - Laëticia Donval
Critique d'art n°54
Critique & création - L.L. de Mars
Sans titre - Chris Kiss
Polyphème (d'après Euripide) - J. & E. LeGlatin
Keywording (Post) Contemporary Art - Greta Rusttt
Shanghai Cosmetic - Leslie Moquin
Strates & Archipels - Pierre Merle 



















