Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

Critique d'art n°55
Femme, Arabe et... Cinéaste - Heiny Srour
Détours - Vincent Chappuis
Étrangement seuls - Jean-Pascal Princiaux
Talk Soon - Erik Kessels & Thomas Sauvin
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
SKKS - Gilles Pourtier
Entretiens – Jérôme Dupeyrat
movement in squares - Stefanie Leinhos
Du Fennec au Sahara - Guillaume Pinard
Modern Instances, The Craft of Photography - Stephen Shore
Sillo n°3 - Le Fauve
La mémoire en acte - Quarente ans de création musicale
Papier magazine n°06 - Coupe du monde
Saint Julien l'hospitalier Tome 1 - Claire Pedot
People in a faraday cage - Stéphanie Gygax
Pectus Excavatum - Quentin Yvelin
Imagos - Noémie Lothe
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
Zoom Age - Julien Auregan
Dédale - Laurent Chardon
Piano - Joseph Charroy
Gros Gris n°4 - Duel
Reading - Ilan Manouach
Tchat - Gary Colin
Pik Nik à Talinn - Thomas Chmp
Vacuité 9090 - Jérémy Piningre
Marcel Proust en cinq minutes — Jackson B. Smith
Génération dakou - Yann Jun + CD
Délié - Baptiste Oberson 





















