Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

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Alma Mater n°1
De lave et de fer - Laurent Feynerou
< - Gabriel Kuri
Le corps travesti - Michel Journiac
Optical Sound 2
Hello tomato - Marion Caron & Camille Trimardeau
Les oiseaux - Lola Raban, Jean-René Etienne
Ludmilla Cerveny - Work
À partir de n°1 - Coll.
Citrus maxima xparadisi - coll.
Wayfaring - Patrick Messina, André S. Labarthe
Holy Mountain - Païen
Pectus Excavatum - Quentin Yvelin
L'internationale modique (AND 3) - J-M. Bertoyas
Fluent - Laëticia Donval
La mémoire en acte - Quarente ans de création musicale
(page 1 et 17) - Lorraine Druon
Prendre l’image, Le graphisme comme situation politique - Olivier Huz 





















