Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

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Rocher du Ciel - Martin Desinde
A R N O R D I R - FLorian Marciourt
She is warm - Iringo Demeter
Mosaïque d'asphalte - Jack Torrance
L'atelier partagé avec Géraldine Trubert
Shanghai Cosmetic - Leslie Moquin
La traversée - Magali Brueder
Ce que l'histoire fait au graphisme - Clémence Imbert
Titties - Nour Hifaoui
Stéréo couleurs - Atelier Bingo
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Holy etc. - Fabienne Radi
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Email Diamant - Fabienne Radi
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Deep state - Mathieu Desjardins
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
America - Ayline Olukman, Hélène Gaudy
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Ce qu'est ce que - Gabriel Hibert
Paysageur n°3 - Mobiles
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Before Science - Gilles Pourtier, Anne-Claire Broc'h 





















