In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

ADBC du Dessin - Jacques Floret
Zoom Age - Julien Auregan
Dessins pour Rugir - Virginie Rochetti
A l'origine - Anne-Émilie-Philippe
Parataxes + CD - Michael Gendreau
Keywording (Post) Contemporary Art - Greta Rusttt
Good Company - Paul Van der Eerden
Un cahier - Michel Quarez
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Aurore Colbert - Marie Mons
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
La France de tête - Lot de 4 numéros
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Bambi # 4 - Collectif
Tomber dans l'escalier - Jasper Sebastian Stürup
(page 1 et 17) - Lorraine Druon
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Bienvenue à Colomeri ! - Hécate Vergopoulo, 

























