In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Deep state - Mathieu Desjardins
Fluent - Laëticia Donval
The life of Ruben - Bernardo Sousa Santos
Paravents - Eva Taulois
ICCMHW - Atelier Choque Le Goff
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Slikmiks - Mikkel Sommer / Mekl
Slanted 24 - Istanbul
Une généalogie des grandes oreilles - Lauren Tortil
Piano - Joseph Charroy
Apiary - Robin Friend
Baron - Richard Kern
Florina Leinß - Ersatzteillager
Seoul Flowers & Trees - tribute to Lee Friedlander 

























