In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Gros Gris n°4 - Duel
Crise de foie - Christine Demias
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Illusive prosody - Alex Beaurain
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Musée des Beaux-Arts - Pierre Martel
Je ne peux pas ne pas - Geneviève Romang
Roven n°4
Sans titre - Benjamin Hartmann
In The Navy - Julien Kedryna
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Good Company - Paul Van der Eerden
Birds - Damien Poulain
Dear Paul - Paul Van der Eerden
Photographic Fields - Joël Van Audenhaege
Watch out - Anne-Émilie-Philippe
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Un essai sur la typographie - Eric Gill
Mökki n°4
America - Ayline Olukman, Hélène Gaudy 

























