In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

L'arum tacheté de J-M. Bertoyas
Assembly - Sam Porritt
Illusive prosody - Alex Beaurain
Prose postérieure - Les commissaires anonymes
A l'origine - Anne-Émilie-Philippe
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Tchat - Gary Colin
movement in squares - Stefanie Leinhos
Délié - Baptiste Oberson
Dernier royaume - Quentin Derouet
Roven n°5
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Hmm ! - C. de Trogoff
Editer l’art – Leszek Brogowski
Papier magazine n°06 - Coupe du monde
Polyphème (d'après Euripide) - J. & E. LeGlatin
Cuadernos - Henry Deletra
Je ne peux pas ne pas - Geneviève Romang
Pectus Excavatum - Quentin Yvelin
Gros Gris n°4 - Duel
Dans la Lune - Fanette Mellier
SKKS - Gilles Pourtier 

























