In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Musée des Beaux-Arts - Pierre Martel
Blaclywall by Sihab Baik - Claude Closky
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Good Company - Paul Van der Eerden
Hérésie Étiologique - coll.
IMPROVISATION N. 190220 - Miki Lowe
People in a faraday cage - Stéphanie Gygax
Tomber dans l'escalier - Jasper Sebastian Stürup
America - Ayline Olukman, Hélène Gaudy
Imagos - Noémie Lothe
Dans la Lune - Fanette Mellier
Gros Gris n°4 - Duel
Après la révolution – numéro 1
akaBB - tribute to Roni horn
Les Grands Ensembles - Léo Guy-Denarcy
Dernier royaume - Quentin Derouet
Assembly - Sam Porritt
Le Dépli - Loïc Largier
Burning Images, A History of Effigy Protests - Florian Göttke
Talweg 6 - La distance
Aristide n°4
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Titanic Orchestra - Julien Mauve 

























