In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Entrez sans sonnet - Julie Redon
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Gros Gris n°4 - Duel
Parataxes + CD - Michael Gendreau
Le dos des choses - Guillaume Goutal
Poster Tribune # 11
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
The life of Ruben - Bernardo Sousa Santos
Dessins pour Rugir - Virginie Rochetti
UP8 — Pour une pédagogie de l'architecture
Do insects play ? - Johanna Tagada Hoffbeck
Ventoline 5 - Coll.
Le singe et le bijoux - Roxane Lumeret
La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
interférence - 3 - maycec
Lavori in corso - Florence Cats & Joseph Charroy
Lisa Zordan . one-shot the end
akaBB - tribute to Roni horn
Salt Crystal - Fabio Parizzi
In The Navy - Julien Kedryna 

























