‘Mise en Pièces’ combines self-portraits of the artist with still lifes and images taken during cosmetic surgery.

We are confronted with fragmentary remains—objects of a luminous metamorphosis, supercharged by effects of contrast and brilliance. The photographer cuts, grabs, lifts and assembles. The “tearing apart” resembles a distortion of reality. We are all made of flesh, nerves, guts, bones and cartilages. But where descriptive monstrosity darkens, Lucile Boiron transfigures reality. By mastering the light, she presents the materials from their own point of view.
To those who would see only an aesthetic play on the body or an ironic commentary on modernity, Lucile Boiron challenges to oppose the desire to grasp images and materials independent of their cultural meanings
40 p.

Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Teddy et le Grand Terrible - Orian Mariat.
Retour d'y voir - n° 1 & 2 - Mamco
Wayfaring - Patrick Messina, André S. Labarthe
Good Company - Paul Van der Eerden
Gros Gris n°4 - Duel
Le blanc nez - Fouss Daniel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Eros negro n°4 - Démoniak
Les Grands Ensembles - Léo Guy-Denarcy
Photographic Fields - Joël Van Audenhaege
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Assembly - Sam Porritt
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Mercometal
America - Ayline Olukman, Hélène Gaudy
Piano - Joseph Charroy 

























