‘Mise en Pièces’ combines self-portraits of the artist with still lifes and images taken during cosmetic surgery.

We are confronted with fragmentary remains—objects of a luminous metamorphosis, supercharged by effects of contrast and brilliance. The photographer cuts, grabs, lifts and assembles. The “tearing apart” resembles a distortion of reality. We are all made of flesh, nerves, guts, bones and cartilages. But where descriptive monstrosity darkens, Lucile Boiron transfigures reality. By mastering the light, she presents the materials from their own point of view.
To those who would see only an aesthetic play on the body or an ironic commentary on modernity, Lucile Boiron challenges to oppose the desire to grasp images and materials independent of their cultural meanings
40 p.

How to Become the Daughters of Darkness - Coll.
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
C'est les vacances n°2 - coll. dir. Eugénie Zely
Pectus Excavatum - Quentin Yvelin
Working men have no country - Coll.
Rasclose - Geoffroy Mathieu
Échec et scotome - Jean Otth
Le déclin du professeur de tennis - Fabienne Radi
Débris N°2 - Théo Garnier Greuez
Le dos des choses - Guillaume Goutal
akaBB - tribute to Roni horn
Augure - Rodrigue de Ferluc
America - Ayline Olukman, Hélène Gaudy 

























