‘Miss Cox (Nude – Arising from the Ground)’ is a many-sided artistic translation of artist Mariken Wessels’ fascination for an anonymous woman who had posed for Eadweard Muybridge’s camera in 1885. In the 24-image sequence ‘Arising from the Ground’ (plate 286) the obese woman, who was supposedly named Miss Cox, can be traced from lying down to a full upright position. Affected by her appearance, Wessels began to make large clay sculptures and to photograph obese female models swimming underwater. In these photographs Wessels focuses on the landscapes which a body assumes impressed by water. Besides the underwater series and photographic views of the sculptures, ‘Miss Cox’ also contains studio views including sketches and other research materials.

23 x 29 cm / 64 pages / colour/ softcover

Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Autodrône - Divine Vizion
Keywording (Post) Contemporary Art - Greta Rusttt
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Watch out - Anne-Émilie-Philippe
Lavalse des tambours - Paul Rey
America - Ayline Olukman, Hélène Gaudy
twen [1959–1971]
Pectus Excavatum - Quentin Yvelin
Email Diamant - Fabienne Radi
Fluent - Laëticia Donval
Je ne peux pas ne pas - Geneviève Romang
Mosaïque d'asphalte - Jack Torrance
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Titanic Orchestra - Julien Mauve
Assembly - Sam Porritt
Critique d'art n°56
Salt Crystal - Fabio Parizzi
Papier magazine n°06 - Coupe du monde
Le chateau enchanté - Atelier Mclane
Modern Instances, The Craft of Photography - Stephen Shore
Tchat - Gary Colin
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Eros Negro # 1 - Demoniak
Optical Sound 3
Prose postérieure - Les commissaires anonymes
Good Company - Paul Van der Eerden 









































