Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Strates & Archipels - Pierre Merle
Hmm ! - C. de Trogoff
Femme, Arabe et... Cinéaste - Heiny Srour
Blaclywall by Sihab Baik - Claude Closky
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Ludmilla Cerveny - Work
Offrir des fleurs
Konrad Becker - Dictionnaire de réalité stratégique
ARTZINES #1, Paris issue
Carnivore - Grow
Fluent - Laëticia Donval
Bacon le Cannibale - Perrine Le Querrec
Lavalse des tambours - Paul Rey
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Regards croisés — Gekreutze Blicke - Yeloyolo
Lili, la rozell et le marimba / revue n°2
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Image Canoë - Jérémie Gindre
In The Navy - Julien Kedryna
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Philonimo - Le Lézard de Heidegger - Alice Brière-Haquet, Sophie Vissière
Flower finds - Orianne Jeanselme
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Piano - Joseph Charroy 









