Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


America - Ayline Olukman, Hélène Gaudy
Imagos - Noémie Lothe
Dear Paul - Paul Van der Eerden
Piano - Joseph Charroy
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Hello tomato - Marion Caron & Camille Trimardeau
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Dernier royaume - Quentin Derouet
Temps d'arrêt - Etienne Buyse
Good Company - Paul Van der Eerden
La construction - Perrine Le Querrec
Prose postérieure - Les commissaires anonymes
Rasclose - Geoffroy Mathieu
Génération dakou - Yann Jun + CD
Papier magazine n°06 - Coupe du monde
The Shelf - Journal 3
Éclats III - Athanor
De lave et de fer - Laurent Feynerou
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
In The Navy - Julien Kedryna
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le blanc nez - Fouss Daniel
Gros Gris n°4 - Duel 









