Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Roven n°4
La France de tête #04
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Assembly - Sam Porritt
Un cahier - Michel Quarez
Critique d'art n°56
Mökki n°2
Bacon le Cannibale - Perrine Le Querrec
Regards croisés — Gekreutze Blicke - Yeloyolo
Prose postérieure - Les commissaires anonymes
Philonimo - Le Corbeau d’Épictète - Alice Brière-Haquet, Csil
Catalogue Art Guys - That's painting productions, Bernard Brunon
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Keywording (Post) Contemporary Art - Greta Rusttt
Critique & création - L.L. de Mars
16 x 421 - Lorraine Druon
Flower finds - Orianne Jeanselme
Poèmes - Yvonne Rainer
The life of Ruben - Bernardo Sousa Santos
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Dédale - Laurent Chardon
Les glaciers - Lorraine Druon
Aurore Colbert - Marie Mons
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Comment réparer : La maternité et ses fantômes - Iman Mersal
Artzines #12 Provo Special
Pectus Excavatum - Quentin Yvelin 









