Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Rois de la forêt - Alain Garlan
Der Erste Rotkehlchen - Le livre
Flower finds - Orianne Jeanselme
Spectres n°4 - Mille voix
Piano - Joseph Charroy
Sans titre - Benjamin Hartmann
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
De lave et de fer - Laurent Feynerou
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Bambi # 4 - Collectif
Je ne peux pas ne pas - Geneviève Romang
Gros Gris n°4 - Duel
À partir de n°1 - Coll.
Illusive prosody - Alex Beaurain 









