Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


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16 x 421 - Lorraine Druon
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Comment réparer : La maternité et ses fantômes - Iman Mersal
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Dédale - Laurent Chardon
Piano - Joseph Charroy
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
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Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
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Femme, Arabe et... Cinéaste - Heiny Srour
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À partir de n°1 - Coll.
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