Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Gruppen n°14 - Collectif
Saint Julien l'hospitalier Tome 1 - Claire Pedot
La France de tête #04
Dear Paul - Paul Van der Eerden
Sillo n°3 - Le Fauve
Konrad Becker - Dictionnaire de réalité stratégique
Bambi # 4 - Collectif
In The Navy - Julien Kedryna
Fluent - Laëticia Donval
Piano - Joseph Charroy
La mémoire en acte - Quarente ans de création musicale
Strates & Archipels - Pierre Merle
Migrant Mother, Migrant Gender - Sally Stein
Modern Instances, The Craft of Photography - Stephen Shore
Carnivore - Grow
Zoom Age - Julien Auregan
Deep state - Mathieu Desjardins
Flower finds - Orianne Jeanselme
Matriochka - Fanette Mellier (3ème ed.)
À partir de n°1 - Coll.
Lili, la rozell et le marimba / revue n°2
Holy Mountain - Maia Matches, Knuckles & Notch
America - Ayline Olukman, Hélène Gaudy 









