Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


It was a good day - Jeremy Le Corvaisier
interférence - 2 - maycec
Entretiens – Jérôme Dupeyrat
Pectus Excavatum - Quentin Yvelin
Aurore Colbert - Marie Mons
Artzines # 10 - Show & Tell #2 NY Special
Temps d'arrêt - Etienne Buyse
L'inventaire des destructions - Éric Watier
Saveurs imprévues et secrètes - Gilbert Lascault
Les Grands Ensembles - Léo Guy-Denarcy
Holy etc. - Fabienne Radi
Le Parfum du Silence - Bonnie Colin
Seoul Flowers & Trees - tribute to Lee Friedlander
America - Ayline Olukman, Hélène Gaudy
Mosaïque d'asphalte - Jack Torrance
Jean-Jacques a dit - Angèle Douche
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Tchat - Gary Colin
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Critique d'art n°55
9 octobre 1977 - Roberto Varlez
Illusive prosody - Alex Beaurain
Zoom Age - Julien Auregan
La tour Tatline - Georgi Stanishev 









