Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


America - Ayline Olukman, Hélène Gaudy
La France de tête - Lot de 4 numéros
Aurore Colbert - Marie Mons
L'internationale modique (AND 3) - J-M. Bertoyas
De lave et de fer - Laurent Feynerou
Artzines #12 Provo Special
Hmm ! - C. de Trogoff
De tels baisers - Jul Gordon
Zombie Girls 2.0 - Lucie Lučanská
Good Company - Paul Van der Eerden
Artzines # 10 - Show & Tell #2 NY Special
Temps d'arrêt - Etienne Buyse
Rasclose - Geoffroy Mathieu
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Crise de foie - Christine Demias
9 octobre 1977 - Roberto Varlez
Dear Paul - Paul Van der Eerden
À partir de n°1 - Coll.
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Konrad Becker - Dictionnaire de réalité stratégique
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
SKKS - Gilles Pourtier 









