Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Dernier royaume - Quentin Derouet
Mökki n°4
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Editer l’art – Leszek Brogowski
akaBB - tribute to Roni horn
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Jean-Jacques a dit - Angèle Douche
Graphzine Visages
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
De lave et de fer - Laurent Feynerou
Prose postérieure - Les commissaires anonymes
Comment réparer : La maternité et ses fantômes - Iman Mersal
Pectus Excavatum - Quentin Yvelin
Shanghai Cosmetic - Leslie Moquin
Mökki n°2
Roven n°5
L'inventaire des destructions - Éric Watier
The Shelf - Journal 3
ICCMHW - Atelier Choque Le Goff
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Anderlecht — Molenbeek - Pierre Blondel
SKKS - Gilles Pourtier 









