Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Sillo n°3 - Le Fauve
Les Grands Ensembles - Léo Guy-Denarcy
Un peu comme voir dans la nuit - Leif Elggren + CD
Ilya Ehrenbourg - Et pourtant elle tourne
Blaclywall by Sihab Baik - Claude Closky
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Dear Paul - Paul Van der Eerden
Der Erste Rotkehlchen - Le livre
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Optical Sound 3
Le singe et le bijoux - Roxane Lumeret
16 x 421 - Lorraine Druon
Piano - Joseph Charroy
Klima Pages #2 — Somptueuses Résidences
The Shelf - Journal 3
La Reprise et l’Éveil - Jean-Christophe Bailly
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
L'inventaire des destructions - Éric Watier 






















