Joselito Vershaeve interweaves black and white photographs of both day-to-day encounters and staged fiction from archives of the artist’s own work, to create visual short stories which defy conventional interpretation.

The recurring motif of the bird in many forms—as an illustration, origami creation, in-flight or emerging from sand—is interspersed with images of textured rocks, the moon and paths which lead and disappear off the page. The human presence in the images is slight—figures veiled, melding into the landscape or moving out of the frame, a grooved hand echoing the natural formation of rocks—all bit parts in the narrative.
The images have been drawn from the artist’s ever-accumulating archive, and have been selected and arranged in a rhythmic pattern, mimicking the act of writing a poem or a short novel.
“The book presents a measured and enigmatic edit of black and white images – of bodies and skin, rocks and the moon, landscapes and birds. Each image hints at different stories, but as a whole, the photobook resists presenting a singular narrative.”
80 Pages

America - Ayline Olukman, Hélène Gaudy
Rendezvous - Eléonore Pano-Zavaroni
ICCMHW - Atelier Choque Le Goff
Holy etc. - Fabienne Radi
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Dear Paul - Paul Van der Eerden
Photographic Fields - Joël Van Audenhaege
Strates - Else Bedoux
Prose postérieure - Les commissaires anonymes
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Entretiens – Jérôme Dupeyrat
Piano - Joseph Charroy
Polyphème (d'après Euripide) - J. & E. LeGlatin
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Editer l’art – Leszek Brogowski
Seoul Flowers & Trees - tribute to Lee Friedlander
Shanghai Cosmetic - Leslie Moquin 






















