How Was Yor Dream? Deals with new forms of demonstration and insurrection in our post-contemporary era dominated by seamless control societies.

In 2014 the « umbrella movement” in Hong Kong was quickly repressed by state and police violence. In 2019 the democratic uprising that began in May gave itself the means to continue. Faced with a sophisticated arsenal of control (facial recognition, geolocation, carding, eavesdropping, infiltration, water cannons, tear gas, helicopter, sonic weapons, non-lethal rifles), the Hong Kong demonstrators have developed a repertoire of techniques based on principles of invisibility and in-traceability (anonymity, lasers of blindness, pocket of faraday, vision by drones, masks of all kinds, encrypted communication etc…), allowing them to mitigate the effects of the repression.
These new devices, which contribute to the transformation of the forms of struggle and resistance, however, push for the gradual erasure of individual singularities. In the future, will societies and sophisticated systems of control, force us to make our human singularities disappear? Will this be done in favour of a new common identity?
As evokes the novelist and philosopher Alain Damasio in La zone du dehors « The end justifies the means… But who will justify the end? »
168 pages
Printing: CMYK + Pantone Neon Green & Blue, UV Varnished

Pectus Excavatum - Quentin Yvelin
Sans titre - Benjamin Hartmann
Green (or moles on a golf course) - Aslak Gurholt
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
People in a faraday cage - Stéphanie Gygax
Beatmap - Alex Besikian
Piano - Joseph Charroy
Shanghai Cosmetic - Leslie Moquin
Après la révolution – numéro 1
Dialogue de dessins 8 - Marcus Oakley, Roxane Lumeret, Zad Kokar
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Collective Design : Alison & Peter Smithson
Theatre - Dan Graham
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
Holy etc. - Fabienne Radi
It was a good day - Jeremy Le Corvaisier
The Letter A looks like The Eiffel Tower - Paul Andali
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Il était deux fois - Gary Colin
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Gros Gris n°4 - Duel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
In The Navy - Julien Kedryna
Don't forget to touch me - Anne Sylvie Henchoz
Imagos - Noémie Lothe
The Book Fight - Chihoi
Editer l’art – Leszek Brogowski
Wayfaring - Patrick Messina, André S. Labarthe 
































