Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual communication, what future questions lie ahead?

Graphic Design Is (…) Not Innocent combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design. It is a road trip between various possible conceptual challenges and praxis. It is a temporal inventory, without the claim of completeness. It is a question mark, as well as an exclamation mark. And it wants to stimulate critical thinking in graphic design.

Inframince et hyperlié - Philippe Lipcare
Gros Gris n°4 - Duel
Les Mains sales - Collectif
Aurore Colbert - Marie Mons
Eros Negro # 1 - Demoniak
Un peu comme voir dans la nuit - Leif Elggren + CD
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Seoul Flowers & Trees - tribute to Lee Friedlander
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Marcel Proust en cinq minutes — Jackson B. Smith
Forsythia, Lilac and Geranium - Raffaella della Olga, Camila Oliveira Fairclough, Elsa Werth
Aristide n°4
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Critique d'art n°56
Imagos - Noémie Lothe
Photographic Fields - Joël Van Audenhaege
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Eros negro n°3 - Démoniak
Holy etc. - Fabienne Radi 













