WHAT DOES IT MEAN TO PRACTICE A POST-OIL SENSE OF SELF AND CULTURE? This publication provides techniques to investigate your petro-subjectivity. Realizing the degree to which your life—your decisions, sense of self, cultural beliefs, the ways your neural pathways work—relies on petroleum is the only way to understand how it is possible to make fundamental shifts away from petroculture. It is impossible to think and dream the future, and ways to deal with climate breakdown, without first confronting, and mitigating this primary way in which you perceive the world and embody responses to it. You will not be able to get rid of petro-subjectivity in your lifetime—it so thoroughly permeates every aspect of who you are—but you can help lay the ground work for future generations to achieve this. I wrote at length about the impact of fossil fuels on your sense of self in the book Petro-Subjectivity: De-Industrializing Our Sense of Self. In these pages, you find a selection of exercises for the exploration of the ways that fossil fuel shapes your embodied mind, your experiences of the world, the petroleum stored in your body, and your sense of self. Do the exercises by yourself or with others in small groups. Exercises are drawn from several sources including: the practice of Deep Listening* developed over 40 years by the composer and musician Pauline Oliveros and many others she inspired; the Deep Mapping approach to understanding self and place that Nuno Sacramento and I have articulated in a book together called Deep Mapping; and exercises I have developed combining multiple approaches to meditating and reflecting on petro-subjectivity.
38 pages.


Critique d'art n°55
Rasclose - Geoffroy Mathieu
š! #39 'The End' - coll.
Fluent - Laëticia Donval
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Recto Versu - Bill Noir
Dédale - Laurent Chardon
Editer l’art – Leszek Brogowski
Jean-Jacques a dit - Angèle Douche
Avec ce qu'il resterait à dire - Anne Maurel
Titanic Orchestra - Julien Mauve
Cf. - Pierre Olivier Arnaud
Flower finds - Orianne Jeanselme
The life of Ruben - Bernardo Sousa Santos
ADBC du Dessin - Jacques Floret
Le corps travesti - Michel Journiac
Bambi # 4 - Collectif
Zombie Girls 2.0 - Lucie Lučanská
On dirait le sud - Anne-Sophie Turion
Bacon le Cannibale - Perrine Le Querrec
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Good Company - Paul Van der Eerden
Eros negro #2 - Demoniak
ARTZINES #1, Paris issue
Regards croisés — Gekreutze Blicke - Yeloyolo
Délié - Baptiste Oberson
Seoul Flowers & Trees - tribute to Lee Friedlander
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
America - Ayline Olukman, Hélène Gaudy
Papier magazine n°06 - Coupe du monde
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Der Erste Rotkehlchen - Le livre
SKKS - Gilles Pourtier
Shanghai Cosmetic - Leslie Moquin
Dark optics - David Claerbout
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Le blanc nez - Fouss Daniel
Mission Control - Emir Karyo & Jan Wojda
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
La prise - Florian Javet
Imagos - Noémie Lothe
Inframince et hyperlié - Philippe Lipcare
Photographic Fields - Joël Van Audenhaege
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Konrad Becker - Dictionnaire de réalité stratégique
Pectus Excavatum - Quentin Yvelin
The Shelf - Journal 3
Teddy et le Grand Terrible - Orian Mariat.
Eros Negro # 1 - Demoniak
Dear Paul - Paul Van der Eerden
Le style anthropocène - Philippe Rahm
Piano - Joseph Charroy
Mercometal
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
A l'origine - Anne-Émilie-Philippe
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Talweg 6 - La distance 











